GATE-1 (2024)
digital video, color, sound
multichannel, 4:305:58min
multichannel, 4:305:58min
GATE-1 is the video-archive of the gestural performativity of the potential organism (Figure 1). It is originally composed of three organs capable of rotating, expanding, retracting, and moving through spaces. Figure 1 serves as a tool for the production and experimentation of performative (gestural) languages. F1 has been constructed as an eroticized organism: flesh in terribilità with an ultimate purpose.
We observe it exhibiting itself, static, as if it were an object, during the first technical intervention. F1 mutates, seeks to advance, a fourth organ is added, and it crawls. Here, entropy comes into play.
◓ GATE-1 begins on a crystallized hill shortly before dawn / about desire: it maps desire onto impossible geometries: "a circle under tension". The circle is broken under the sensible, as a phenomenon, it is brought to an Inside through performativity to cognitive constitution: intensifying the circle turns it into a spiral. Desire operates as force, the delimiting axes of the circle construct a spiral that is traversed. In GATE 1, the spiral appears as geological configuration of desire; the field of continuum, accretion until the collapse of organisms, the journey leads to an end (ultimate end / erotic end).
The sign establishes coordinates on a map (statues and ice stone); position and production of desire. Object is that which is static in time and the cold and the linear temporalities that mark low entropy, that is, objectify, mapping multiplicities in a sort of homogeneous order.
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